El arte de volar bajo los puentes
The art of flying under bridges
Cuatro desconocidos, agotados por las convenciones sociales, plantean un juego en la habitación contigua a una fiesta: explorar los límites entre lo íntimo y lo privado. Para ello quedarán prohibidas todo tipo de referencias, como puedan ser la edad, su nombre o su posición política, con el fin de evitar un juicio previo. Cada uno dispondrá de un intento para mostrarnos su máscara y permitir que sea otro quien juzgue en qué se ha convertido su vida.
Four strangers, exhausted by social conventions, pose a game in the room next to a party: explore the boundaries between the intimate and the private. To this end, all types of references, such as age, name or political position, in order to avoid a prior trial, will be prohibited. Each one will have an attempt to show us his mask and allow someone else to judge what his life has become.
Four strangers, exhausted by social conventions, pose a game in the room next to a party: explore the boundaries between the intimate and the private. To this end, all types of references, such as age, name or political position, in order to avoid a prior trial, will be prohibited. Each one will have an attempt to show us his mask and allow someone else to judge what his life has become.
EspañolSpanish | |
DramaDrama | |
4 | |
2 | |
2 | |
1 | |
60 - 90 min. | |
ContemporáneaContemporary | |
2017 | |
2017 | |
Teatro Pavón Kamikaze | |
Dirigido por Patricia Benedicto e interpretado por Antonio Lafuente, Ana Mayo, Elena Corral y Carlos Jiménez-Alfaro. | |
2017 | |
Contexto Teatral | |
DocumentoDocument | |
Texto completoFull text | |
Lectura dramatizada inscrita en el ciclo "Las funciones por hacer". | |
Dramatized reading inscribed in the cycle "The functions to be done". |
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Nota: “Todos los datos han sido aportados por los/as autores/as, por lo tanto, la AAT no se responsabiliza de su veracidad”.
Note: "All data have been provided by the authors, therefore, the AAT is not responsible for its accuracy".