Ascensión y caída de un diputado del siglo 21 (Iberian Gangsters)
Rise and Fall of a 2ith century deputy (Iberian Gangsters)
El exministro Rafael Velasco, diputado y portavoz de su grupo, es culpable, pero no se arrepiente: ha hecho lo que había que hacer, como otros muchos. Desde sus comienzos comunistas, pasando por el socialismo hasta la derecha, han pasado cuarenta años, vividos intensamente junto a su mujer y su hija, la joven promesa que va a sentar las bases de la política de futuras generaciones. El único problema es que ella desconoce la verdad.
Un viaje apasionante desde el punto de vista humano y tan cercano que el espectador, sin dejar de reír, e incluso de cantar, puede llegar a preguntarse: ¿seguro que yo no haría lo mismo?
Former Minister Rafael Velasco, deputy and spokesman for his group, is guilty, but does not repent: he has done what had to be done, like many others. From its communist beginnings, through socialism until his arriving in the right wing, forty years have passed, lived intensely with his wife and beloved daughter, the young promise that will lay the foundations of the politics of future generations. The only problem is she doesn’t know the truth. An exciting journey from the human point of view and so close that the spectator, without ceasing to laugh, and even to sing, may come to wonder: surely I would not do the same?
Former Minister Rafael Velasco, deputy and spokesman for his group, is guilty, but does not repent: he has done what had to be done, like many others. From its communist beginnings, through socialism until his arriving in the right wing, forty years have passed, lived intensely with his wife and beloved daughter, the young promise that will lay the foundations of the politics of future generations. The only problem is she doesn’t know the truth. An exciting journey from the human point of view and so close that the spectator, without ceasing to laugh, and even to sing, may come to wonder: surely I would not do the same?
| EspañolSpanish | |
| 6 - 10 | |
| 5 | |
| 2 | |
| Sin precisarUnspecified | |
| 60 - 90 min. | |
| ContemporáneaContemporary | |
| 2017 | |
| 2017 | |
| Pavón/Teatro Kamikaze (en Madrid) | |
| Música: Alberto Granados Iluminación: Luis Perdiguero Texto y letras canciones: Julio Salvatierra Dirección: Álvaro Lavín Producción: Meridional Producciones S.L. Intérpretes: Clara Alvarado, Eva Martín, Chani Martín, Iván Villanueva, Miguel Ángel GAmero, Xavi Melero | |
| Finalista a Mejor Espectáculo Musical en los Premios Max 2017, exhibido en el Pavón/Teatro Kamizaze y en una larga gira de dos años, esta obra quiere aportar una visión humana, real y a la vez teñida de humor y sátira, sobre la corrupción política. Los políticos son fruto de esta sociedad. Una visión, basada en un caso real, aunque construida desde la ficción, puede servir para, desde el humor, mirarnos a nosotros mismos. Quizás lo que veamos nos haga pensar, además de reír. Eso es lo que he intentado yo mismo con esta obra. La crítica ha dicho: “Una obertura cantada por seis intérpretes fulgurantes marca el tono ligero, espirituoso y burlón de espectáculo. (...) que satiriza como el el poder fue transformando a buena parte de una generación que había confiado en cambiar la política (Javier Vallejo, El País); “Un espectáculo de alto nivel, entretenidísimo y con una mala leche importante que se disfruta bárbaramente. No se lo pierdan, señores” (Miguel Gabaldón, Notodo.com) | |
| Finalist for Best Musical Show at the Max Awards 2017 (Most important Spanish Theatre Awards), exhibited at the Pavón/Teatro Kamizaze and in a long tour of two years, this work aims to bring a human vision, real and at the same time tinged with humor and satire, about political corruption. Politicians are the fruit of this society. A vision, based on a real case, although constructed from fiction, can serve to, from the humor, look at ourselves. Maybe what we see makes us think, besides laughing. That’s what I’ve tried myself with this play. Critics have said: "An overture sung by six brilliant performers marks the light, spirited and mocking tone of the show. (...) that satirizes how power was transforming a good part of a generation that had hoped to change politics (Javier Vallejo, El País); "A show of high level, very entertaining and with a devastating dark humour, which is enjoyed barbarically. Don’t miss it, gentlemen" (Miguel Gabaldón, Notodo.com) |
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